Like the cathedrals of bygone eras, galleries are now the ultimate buildings of our times – and the way we use them mimics religious rituals, writes Jason Farago. Art critics wear many hats, but lately the most useful one has been a safety helmet. Across the United States, arts institutions are in the middle of a building boom, and globally, outside of Europe’s austerity-choked capitals, the strongholds of art are rising as well.
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