I was a teenage existentialist. I became one at 16 after spending birthday money from my granny on Jean-Paul Sartre’s Nausea. It was the cover that attracted me, with its Dalí painting of a dripping watch and sickly green rock formation, plus a blurb describing it as “a novel of the alienation of personality and the mystery of being”. I didn’t know what was mysterious about being, or what alienation meant – although I was a perfect example of it at the time.
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